Despite having very little dialogue, Swinton provides a stimulating performance - a stunning one, even, considering the fact that there is dialogue written in a language that she does not speak. Just like Jessica, who visits the country as a foreigner, Tilda Swinton is also a visitor to Colombia. During a pensive two hours and 16 minutes, Weerasethakul implores us to contemplate the mystery of Jessica’s affliction. With its slow, meditative structure and long silent takes, “Memoria” almost dissolves time, transporting you into a mysterious dreamscape set in Colombia.

Instead, it will be shown on a tour, where the film will be screened in a different city every week, ensuring that audiences will experience the film in the way Weerastethakul wanted. NEON, the film’s distributor, seems to share this belief: their decision to withhold the movie from streaming services and DVD is unconventional. Weerasethakul insists that the cinematic experience is crucial to watching the film. It is worth taking a trip to the theater to watch this, where you can experience the film’s sound as the filmmakers intended. As she tries to find the cause of this disturbing sound, she slowly loses her memory and sense of identity. “Memoria,” Apichatpong Weerasethakul’s latest feature film, follows Jessica (Tilda Swinton), who is haunted by a loud, consistent bang that only she hears.

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